Conservation & Replication of Work

As an artist you should consider the stability of the materials you use when creating your work.  Whilst all art works over time will require some conservation, is your work likely to have a very short life expectancy, and if so are you prepared to have it conserved or replicated?

 If the work is conserved or replicated by a conservator as opposed to yourself, are you still prepared to be acknowledged as the author of the work? In this section we consider the copyright issues that can arise when works of art are either conserved, restored or replicated when the original has been destroyed.

This article is from the Artlaw Archive of Henry Lydiate's columns published in Art Monthly since 1976, and may contain out of date material.
The article is for information only, and not for the purpose of providing legal advice.
Readers should consult a solicitor for legal advice on specific matters, and artists in London can get free online legal advice from Artquest