The term ‘commissioning' is a common one in contemporary art practices, but can be misleading or confusing in the range of areas and opportunities it covers.

This article hopes to bring some clarity to public art commissioning, or what it means when you as an artist are asked to create a new project or work for a public space.  It sets out the difference between the commissioner's role and responsibilities and what you are responsible for as an artist.  It is also important to note that the term  commissioner can refer to a range of people or organistions from an independent or freelance curator, a gallery or arts organisation, a local authority, or a private client or collector.

It may sound controversial, but a rule of thumb is to consider your commissioner as your client.  They have provided you with the opportunity and are providing the funding.  This does not mean that you should compromise your practice, or feel like you are selling out, but it is important to get the artist/commissioner relationship right from the start. 

This section covers all of these elements and gives guidance on the key stages in a commissioning process and the different responsibilities of both the commissioner and the artist so that you can work together productively with shared aims and objectives.

Watch our ArtlawTV film below on the relationship between commissioners and artists, with artist Susanna Heron.

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