The Real World

The Real World is a series of talks in collaboration with the Whitechapel Gallery looking at the real-life careers of visual artists and other practitioners.

Next Session
Studios in Practice
Date: Thursday 10 May, 7pm
Venue: Whitechapel Art Gallery
Booking: Tickets £3 bookable the the Whitechapel Art Gallery Website

When is a studio a necessity and when is it luxury? This professional development talk for artists looks at the central role the studio can play in careers and the full potential of studios as everything from exhibition space to office.Speakers at this session are Duncan Smith from ACAVA and artist Laura Eldret.

Duncan Smith is founder and current Artistic Director of ACAVA (Association for Cultural Advancement through Visual Art) which provides studios for artists and works with a wide range of other bodies including local and health authorities, trusts and foundations, arts and educational institutions, regeneration agencies, developers and social landlords, engaging the skills and creativity of its artist members to promote public benefit. Starting from initiatives in the mid ‘70s and established as an educational charity in 1984, ACAVA now manages 24 buildings providing studios for 600 artists.

Duncan has been teaching in art colleges and universities for forty years, and for thirty five years establishing computer imaging resources and producing and delivering courses for tertiary education and the voluntary sector. As an artist, he has exhibited installations and digital work internationally since the 1970s

Laura Eldret explores ideas, histories and forms of contemporary rituals, often working with organised groups of people (firemen, tradesmen, 'farb' societies) and individuals to create new and generative social forms. Eldret makes videos, photographs and stage-like installations, as well as creating live events in gallery spaces and in the public realm. She has exhibited at venues including Camden Arts Centre, where she was artist in residence (2011), Five Hundred Dollars, London (2010) and Jerwood, London (2009). Currently, she is developing a project with ACE funding, which will be presented at The Gallery at Arts University College Bournemouth (2012).  She uses the studio strategically, enabling her to explore a wide range of sites of productivity.

Previous Real World seminars

The Artist and the Gallery

Date: Thursday 8 March 2012

Galleries can play a central role in many artist’s careers, but increasingly through choice, necessity or the nature of their practice many artists operate outside of the system of gallery representation - or set up galleries themselves. This session asked Why artists need galleries, how can they operate without them and how the role and relationship between artist and gallery changing? Speakers at this session were Kate Cooper, Auto Italia South East and Louise Shelley, The Showroom

Working with Collections

Date: Thursday 15 December 2011

This session of the Real World looked at different models and methodologies undertaken by artists working with collections. What benefits and challenges can these relationships bring and are there unexplored approaches to be tried? The evening included presentations by Kate Forde, curator at the Wellcome Trust and artist Felicity Powell.

Always an Artist?

Date: Thursday 29th September 2011

This session looked at the creative, innovative and sometimes surprising ways that professional visual artists make a living. What relationships or influences cross over from parallel work into artistic practice, and what does art practice bring back to 'everyday life'? At its core, this discussion considered the question: are you always an artist? Included presentations and discussion between Charlotte Ginsborg and Edith Marie Pasquier. Organised in partnership with Film London Artists Moving Image Network .

The Altruistic Arts 

Date: Thursday 30 June 2011

From corporate sponsors to volunteers, private philanthropists and collectors to individual artists who work for free, the visual arts depends heavily on financial, philosophical and practical altrusim.  In the context of the biggest overhaul of public funding in a generation, and an increasing demand on artists to be more entrepreneurial, what does altruism in the arts mean today? This session included short presentations and a discussion between Paul Hobson, Director of Contemporary Art Society and Cecilia Wee, artist, writer, anti-cuts activist and curator.

Professionalism and the Arts

Date: Thursday 27 January 2011

Ideas of professionalism are often transposed from the corporate and business sectors and related to ‘earning a living' from one's art. But how relevant are these models to arts practice, and is this a reality for working artists? What is it that makes an arts practitioner ‘professional'? This session saw see artists Alex Julyan and Michèle Fuirer in conversation about the subject.

Interdisciplinary practice

Thursday 11 November 2010

This session of Real World considered the term interdisciplinary practice, and looked at challenges, approaches and benefits when working across disciplines. Speakers at this session were artists Ruth Beale and Edwina fitzPatrick.

Contemporary but Overlooked

Thursday 9 September 2010

Many artists maintain a practice despite lack of exposure. This session of the Real World looks at alternative art ecologies and discusses how artists might situate their work, and critically develop their practice outside of the conventional art system. Speakers for this event were writer, publisher and curator Mark Pilkington and artist Cathy Ward.

Curation and Control

Thursday 15 April 2010

Taking on a more dialogic format, this season's Real World seminar series in partnership with Artquest and Whitechapel gallery saw practitioners and arts professionals creating a forum for discussion on issues facing practitioners today, bringing different generations of practice together. The first of these sessions looked at the relationship between the curator and the artist, their respective responsibilities and expectations of one another, modes of collaboration and how this relationship is changing. Speaking at this session were curators Hannah Liley and Matt Roberts.

International practices

Thursday 18 February 2010

This seminar explored international trends and practices within the visual arts. Using case studies of international projects, such as Artquest's Artelier and Artroute programmes, this session compared artists' experiences, offered advice on networking and highlights opportunities for artists internationally. Participants include artists Joanna Callaghan  and Samuel Dowd.

Socially engaged practice

Thursday 19 November 2009

This Real World seminar focused on socially or critically engaged practices in the visual arts, examining what this term means to artists in relation to their practice, and looking at how artists work with members of the public to create works of art.  This event provided a forum for artists and their collaborators to present projects so as to stimulate debate around their own practice or to find new partners. Included presentations by artists Sarah Cole and Serena Korda.

Collaborative Practice

Thursday 17 September 2009

The second Real World seminar focussed on collaboration in the visual arts, looking at collective practices both within and across the arts and into other areas. Case studies and presentations were by Ana Laura López de la Torre (London based artist and writer), collaborative visual artists Cornford & Cross (Matthew Cornford and David Cross) and Hyo Myoung Kim.

Artist / Curator

Thursday 21 May 2009

Responding to the multifarious practice of Goshka Macuga, the first Real World session focused on the role of the artist-curator. Dallas Seitz, Cathy Lomax and the Centre of Attention (Gary O’Dwyer and Pierre Coinde) presented case studies, explore innovative projects, suggest practical solutions to common pitfalls, and consider best practice for working with artists, other organisations and funders.

This article is from the Artlaw Archive of Henry Lydiate's columns published in Art Monthly since 1976, and may contain out of date material.
The article is for information only, and not for the purpose of providing legal advice.
Readers should consult a solicitor for legal advice on specific matters, and artists in London can get free online legal advice from Artquest