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- Frequently asked questions
- Copyright
- What works are covered / protected by copyright?
- What can I do if my work is used without my permission?
- When can I use copyright material without permission?
- How do I get permission to use copyrighted material (film, photography, literature, music etc)?
- What issues should I be aware of if I wish to use photographs in collage / painting?
- What material (film, photography, literature etc) do I not need permission to use?
- I’ve heard it’s OK to use short excerpts of music / film without infringing copyright, is this true?
- What if I want to use a board game / company name or logo in my artwork, what legal issues should I be aware of?
- What legal issues should I be aware of if I want to include cartoons in my work?
- What legal issues should I be aware of if I wish to use film clips in my work?
- What is copyright infringement?
- How can I prevent unauthorised use of images of my work that are published on the Internet?
- What legal issues surround the use of legal tender, i.e. notes and coins, in my artwork?
- What can I do to protect my work from being copied when I submit a prototype to a potential buyer?
- Can I sell my copyright?
- Privacy
- Licensing
- Collaborations
- Galleries and exhibitions
- How do I get my gallery / dealer to return unsold works?
- What should I do if my dealer / gallery goes bust?
- Can the organiser of an art show subsequently decide to remove a work from the show on the grounds that it is offensive?
- If I sell artwork through a gallery located abroad, can the gallery deduct ‘withholding tax’ on my earnings?
- What issues should I consider if before hiring space for a group show with other artists?
- If I hire a stand at an Art Fair to sell my own artwork, what can I do if the event is cancelled?
- What can I do if my work is damaged as a result of submitting it to a third party, such as a dealer or art competition?
- Commissions
- Studios
- Can I negotiate the lease / licence with my prospective landlord?
- What counts as an affordable rent?
- How much deposit would I expect to pay?
- What other costs might I be liable for when renting a studio?
- What kinds of contract might I be expected to sign when taking on a property?
- What is a ‘break clause’?
- In what circumstances can I sublet or share my studio space?
- What kind of access can I expect in a studio or property?
- What health and safety considerations are there?
- What materials might I not be allowed to work with in a public studio?
- What is the difference between a work / live and a live / work space?
- Where can I find lists of studio providers?
- Copyright
- Copyright
- Basics of copyright
- Copyright and Moral rights: New legislation (introduction)
- Copyright and Moral rights: New legislation (part 1)
- Copyright and Moral rights: New legislation (part 2)
- Copyright and Moral rights: New legislation (part 3)
- New UK Copyright Provisions from 31 October 2003
- The Length of Copyright
- Art & Copyright
- Originality
- Stealing Ideas
- A Developing Global Framework
- Dear Images
- Basics of moral rights
- Copyright and Moral Rights: New Legislation (moral rights)
- The Right to Destroy Artwork
- International Foundation for Art Research: IFAR
- Christoph Büchel v Mass MoCA
- Estates
- Conservation Renovation & Restoration
- Mortality/Immortality
- Moral Rights: Artists have got 'em
- An American in Florence: restoring the moral balance
- Nothing is Forever
- Monumental Manoeuvres in the Dark
- Tomorrow is a Long Time
- Up Against the Wall: part 1
- Up Against the Wall: part 2
- Qualifying for copyright protection
- Protecting copyright
- Copyright and the internet
- Using other artists work
- Publication Right: The New Right
- Stamp of Approval
- Knockin' on Hebborns Door
- Appropriation Art and Fair Uses
- Questions of Attribution
- Appropriation
- Common Sources
- Claim it From DACS
- Appropriation of Media
- Orphan Works
- New UK Legislation Part 1
- New UK Legislation Part 2
- Is Your Copying Right?
- In Defence of the Image
- Making Waives
- Advertising and marketing art: Copyright confusion
- Copyright before 1989
- Ignorantia Lex Non Fit Defensia
- Between Thought and an Expression
- When I Paint my Masterpiece
- DACS
- Dear Henry...
- Copyright: A Suitable Case for Reform
- Private Investigations
- Public Images
- Holography
- New Legal Rights
- Self-Expression and the Law
- Worldwide, and Droit Moral
- Copyright Protection Abroad
- Copyright Law
- Useful Copyright links
- Basics of copyright
- Contracts
- Basics of contracts
- Using written contracts
- Artists' Residencies
- Tate Da Vinci Code Pollock
- Editions or Series: Artists Be Clear
- Mum's the Word
- Who Owns Public Art Commissions?
- Public Art Commissions: Part 1
- Public Art Commissions: Part 2
- Caveat Emptor
- Doing a Deal: Part 1
- Doing a Deal: Part 2
- Doing a Deal: Part 3
- Artists Bearing Gifts: Revisited
- Beware of Artists Bearing Gifts
- Dragon's Dance
- Private Commissions and the Law, part 1
- Private Commissions and the Law, part 2
- Ballad of a Widening Wedge
- Public Art and the Law
- Foreign Affairs
- Art and Architecture
- Tracing Work
- Commissions and the responsibilities they bring, part 1
- Commissions and the responsibilities they bring, part 2
- Agency Deals
- Gallery Agreements
- Exhibition Agreements
- Contracts with Galleries
- Commissioning an Artist
- Selling is Easy
- Anticipating Future Uses of Work
- Bankrupt Galleries: A Cautionary Tale
- Fakes, insurance and bankruptcy
- Conservation & Replication of Work
- Useful contract links
- Money
- Artists Resale Right
- Basics of Artists Resale Royalty Right
- Artists Resale Right: 4th Year Report
- Parliamentary Report: The Market for Art
- Parliamentary Report: UK Artists' Resale Right
- Artists' Resale Right
- Droit de Suite (2002)
- Copyright & Resale Right
- Droit de Suite (1996)
- The Artists' Campaign for Droit de Suite
- Follow up follow up follow up, 'till the fields ring again and again...
- Resale Royalty
- How It Works
- Useful Artists Resale Rights links
- Basics of Artists Resale Royalty Right
- More information
- About the author
- Sections overview
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- About the articles
- Disclaimer
- Basics of Working as an Artist
- Collective Bargaining
- Life After Art School
- Tyson, Hirst and Hogbens Dunphy
- Shamrock Organisations
- The Creative Act 2007
- Management Of Creativity 30 Years On
- Commercial Dimensions
- Breaking the Rules
- Infinity goes up on Trial
- The Boyle Family
- Soul Trading
- Postbag
- Working as an artist: part I
- Working as an artist: part II
- Fundamental Enquiries
- Working Internationally
- Privacy
- How to set up an organisation
- Heath and Safety
- Artist-led studios
- Useful Working Links
- Government Policies and the Arts
- Who owns Elizabeth Frink?
- Gormley on the Beach
- Strategies for the Arts
- New Labour Arts Policies
- % for Art Legistaltion
- Yes Minister, but is it legal?
- Art for Architecture Legistlation
- The Next Moves Forward, part 1
- The Next Moves Forward, part 2
- Dire Straits - outside the gallery
- Ballad of a Thin Wedge
- Welfare in the State of Art
- New Administration: Reforms and Innovations
- Percentage for Art: UK OK?
- Percentage for Art
- The Way Forward?
- 'God help the Minister who meddles with Art'
- Shopping Lists
- Public Exhibition Payments
- Artquest Artlaw History
- Law Online: Artquest
- Management of Creativity
- Back to The Future
- International Artlaw Research and Education Fund
- One of us must know something (Sooner or Later)
- Information and Advice to the Visual Arts: Getting the Network Working
- Of ha'pennies and cakes - servicing public arts development
- The Present Status of Artlaw
- Dear Shane
- Is there Life after Art School?
- The State of Play
- Conference Consequences
- Dear Editors
- Artlaw Services - A National Legal Service for the Arts
- Art Law Introduction
Latest articles
- Collective Bargaining
- Artists’ Selling Power
- Polaroid: The Gift That Doesn’t Keep Giving
- Attribution of Authorship: Warhol
- Artists Resale Right: 4th Year Report
- Artquest Artlaw History
- Virtual Collections: National Portrait Gallery versus Wikipedia
- Studios
- Commissions
- Galleries and exhibitions
- Artists’ Selling Power
- Polaroid: The Gift That Doesn’t Keep Giving
- Attribution of Authorship: Warhol
- Artists Resale Right: 4th Year Report
- Artquest Artlaw History
- Virtual Collections: National Portrait Gallery versus Wikipedia
- Studios
- Commissions
- Galleries and exhibitions