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Artists sometimes find that a commissioned work - either public or private - is rejected after the commission has taken place.
Ideally, a commission contract should be in writing, in which case written provision should have been made for this situation - a 'rejection fee' arrangement should have been agreed to enable you to be paid a reasonable amount for work done, and for the commissioner to reject the finished work.
If such an arrangement was not made (and if there was no written commission agreement, it would be hard to prove that it was), then you could argue that you had a legitimate expectation to be paid for work done - not necessarily for the full amount agreed for the work being executed and sold to the commissioner, but to reward fairly for aesthetic skill and labour expended at the commissioner's request.
Put another way, when an artist undertakes a commission (i.e. a painting portrait), there should ideally be discussion and written agreement of at least the following:
The Contracts section has more information on this - in the Commissions and the responsibilities they bring part one and Commissions and the responsibilities they bring part two articles.
You may also be interested in the Checklist for a commission page in Me, Me, Me... Self-promotion for artists.