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Funding opportunities in Europe
“Don’t Quote Deluze”: How to write a good Artist statement
Windsor & Newton: Masterclass Learning Tools for Artists
Exhibition Payment: The a-n/AIR Paying Artists Guide
How to approach match-funding
When should you work for free?
Tate templates for acquisitions
5 tips for freelance success
Internships: know the law
Insuring your public space
What is artistic success?
Being an independent curator
What do artists value?
Ethical challenges for artists
How to be a gallery technician
Running a nomadic art gallery
Making and selling jewellery
Working in arts education
6 tips for effective marketing
Opening doors to opportunity
7 goals for fairer internships
Start your own craft business
Starting a jewellery business
10 tips for Crowdfunding
International Next Practice Review
European Health Insurance Card
Starting in self-employment
Q&A: Squatting
The Artists Reserved Rights and Transfer and Sale Agreement
Common Best Practice Code for High-Quality Internships
College Industry A-Z
NAWE Writing in Communities
HowToPopUp
Art Monthly Gallery Map
ArtsTemps
Business Survival Toolkit
Public Art Online commissions deadlines
Student Finance 2012: busting the myths
Money Saving Expert Student Guide
Guardian: Personal pensions
Guardian: State pensions
Guardian: Money
196 Residencies in France
Foreign and Commonwealth Office: UK embassies around the world
Foreign and Commonwealth Office: advice by country
a-n/AIR
Queen Mary Legal Advice Centre
NFASP resources
Own-it Knowledge Bank
Mycake
Crafts Council opportunities
Visual Arts Blueprint
The Lecture List

Opportunities

Axisweb Artist Award
National Trust Commission
Rebecca Vassie Memorial Award
Bauhaus Residence
aceartinc Exhibition Program
Matieschön Residency
Bloomsbury Festival In A Box
Settlers Commission
ICAF Lagos Artist-In-Residence
Media Arts Residency
Thalie Lab Residency
Ingram Collection Purchase Prize
Artists Access to Art Colleges
Practice Makes Practice Residency
Muralism
William Morris Gallery Artist in Residence
Research Fellowships
Pacitti Company Think Tank Residencies
Chronus Art Center Research and Creation Fellowship
LUX London Critical Forum
Public Artwork Commission
Standpoint Futures
Contemporary Talents Competition
Emergency 2017
Camargo Foundation Residency
Artist’s Book Residency Grant
Bridgeman Award
Pier-2 Art Center Photographers-in-Residence Program
Firecracker Photographic Grant
Tenderflix 2017
East London Group Commissions
Research Bursaries
Public Art Residency Grant
Kostka Gallery
Design Residency & Exhibition
Fountain
Making Neighbourhood Mobilities Residency
Columbia Threadneedle Prize
British Seaside Photography Exhibition
International Awards for Art Criticism
Blueproject Foundation Residency
CRIPTA747 Residency
Cultural Institute Cultural Fellowships
Adam Reynolds Memorial Bursary
EIKON Award
EVA International Curatorial Scholarship
Akiyoshidai International Art Village Residency
Frieze Writer’s Prize
VIA Arts Prize
Travelling Fellowships
The Pier Commission
Curatorial Development Bursaries
The Wheatley Bequest Fine Art Fellowship
Light Work Artist-in-Residence Program
Stanley Picker Fellowships Design & Fine Art
The Horniman Residency
32° East Ugandan Arts Trust Residency
Spare Parts
UK/Ukraine Artist Residency Programme
Light Night Leeds Commission
WetlandLIFE Bursaries
Bomb Factory Artist Film Festival
Deep Adaptation Commission
FLACC Residency
Smart Oxford Playable City Commission
Lucie Foundation Scholarship Program
Gefail yr Ynys Artist in Residency
HOME Slough Town Centre Artist Commissions
AirSpace Graduate Residency
HIAP Residency Programme
VARI Embedded Residency
Photoworks Annual
Impakt Festival
Residency for European Media Artists
Pytheas Research Institute / Calanques National Park / Camargo Foundation Program
Audio-visual Project Residency
Artist in Residence/Britain to Brazil
Sidney Nolan Trust Artist Residency
Curatorial Open
Künstlerhaus Schloss Balmoral Residency
New Light Prize Exhibition
Watershed Artist in Residence
Prosper
Institut Potemkin Residency
Kuldīga Photography Residency
Gleis70 Residency
British Council Aarhus Residency
Photography Residency
Exhibition: Robotics & A.I.
Litmus Commission and Residency
Berwick Visual Art and Centre for Rural Economy Artists Residency
Creekside Artists Graduate Studio Award
National Disability Arts Collection and Archive Grants
MK50 Canal Residency
Alchemy Film & Arts Exhibitions Programme
The Happy Hypocrite – Tolstoyevsky
Exeter Contemporary Open
Harvest Short Film Competition
Screen Archives Residency
Inter/sections Commission
Great Exhibition of the North Commission
Bibliothek Andreas Züst Residency
bb15 Residency
Environmental Bursary
Aomori Artist in Residence
Heritage Open Days Commissions
West Dean College Artist in Residence
The New Gallery Main Space
Diverse Actions Leadership Bursaries
Artist Inspiration Days at Battersea Arts Centre
Lewisham Arthouse Graduate Studio Award
Venice Agendas: The Contract
Finnish Museum of Photography Project Space Exhibitions
Ruth Borchard Self-Portrait Prize
Jerwood Drawing Prize
Contemporary Drawing Research
Writer in Residence
Griffin Art Prize
The Spur / ETACEC 16-18 Residencies
VR Arles Festival
Embassy of Foreign Artists
Women’s Beat League Study Week
Digital Art Commission
Assembling Newtown Commission
Marilyn Stafford FotoReportage Award
3-Phase
Michael O’Pray Prize
Bitamine Faktoria Residency
Hidden Lines of Space
Guest Projects
Artists’ Collecting Society Studio Prize
Art Worlds
Idle Women Residency
London Creative Network
Engine and Grain Bursary
Lucy Art Residency
Stuart Croft Foundation Awards
The Artist Entrepreneur Residency
Chisenhale Studios Summer Residencies
Artangel Everywhere
Pete Lloyd Lewis Studio Award
Jon Schueler Scholarship, Visual Artist in Residence
Research Residency and Exhibition
Medialab Prado Madrid Artist-in-Residency
Micro Residency Programme
Race Relations Acts Residency
Aarhus Center for Visual Art Residency
Aberdeen Fishing Memorial Commission
Queen’s Hall Online Commission
Near Now Fellowship
PACT Zollverein Residency
Berwick Film & Media Arts Festival
Sensory Atelier Artist in Residence
Young Masters Art Prize
Society of Women Artists Annual Exhibition
Braunschweig Projects
Roberto Cimetta Fund Valletta 2018 Mobility Funding
Public Art Residencies
Nordic Artists’ Centre Dale Residency
ENLIGHT Residencies
Arcus Project Artist-In-Residence
On Paper Award
John Ruskin Prize
DIY Cultures
Bomb Factory Artist Film Festival
Peer Forum at Cubitt
Collusion Artists’ Labs
Jerwood/FVU Awards: Unintended Consequences
BigCi Environmental Awards
Eyebeam Residency
Croome Park Commission
Experimental Studio Residency
Algorithms that Matter Residencies
Waterford Healing Arts Trust Artist-in-Residence
SOLO Award
alt.barbican
Textile Artist Commission
MOSTYN Open 20
DIY 14
Quarry Bank Artist in Residence
Contemporary British Painting Prize
Milton Keynes University Hospital Commission
Woon Foundation Prize
Edith-Russ-Haus Grants for Media Art
The Cultures of Machine Participation
Alternate Realities Commission
Connect/Exchange Residency
STARTS Prize
SEA Foundation Residency
McKinney International Art and Design Residency
Fujifilm Residency
Development Lab
British Ceramics Biennial Award
Peer Forum at The Photographers’ Gallery
Creative Schools Project Commission
Apexart Franchise Exhibition Program
Litmus Commission
Rome Fellowship in Contemporary Art
Crofters’ Memorial Commission
Daiwa Foundation Grants
La Ira de Dios Residency
Spectral Paradigms
Commission: Visual Art Installation created with Young People with Disabilities
Prix Ars Electronica
Creekside Open
COLLIDE International Award
Summer Academy Paul Klee
Artlink Residency
PHmuseum Grant
Intersection Commission
East Street Public Art Commission
Dublin City Gallery Commission
Mark Tanner Sculpture Award
A Global State Of Pareidolia Praksis Residency
Dorothy Una Ratcliffe Artist Fellowship
AaBKC Residency
The Morning Boat Residency
Institute of Imagination Commission
Ridges & Furrows Public Art Commission
Holding Space
Amsterdam Light Festival
City & Guilds Art School Artist Residency
Friday Island – Power
National Trust LGBTQ Residency
Artists’ Pavilion Venice Biennale 2017
Belfast Photo Festival
British School at Rome Fellowships
Home Made Commission
CUT Festival
Public Feature Commission
Hospitalfield Residencies
Fellowship Program For Art And Theory
Frieze Artist Award
Groundwork Residency
Collusion Data-Culture Lab
Collyer Bristow Graduate Art Award
Stuart Hall Library Research Network
Connect/Exchange Residencies
McKinney International Art and Design Residency
Pacific Contemporary Art Commission
Wysing Polyphonic Residencies
Bloomberg New Contemporaries
Intermedia Gallery
ArtCenter/South Florida Residency
Terra Summer Residency
Digital Artists Residency
Meet You at The Green? Research Residency
MDP Summer Design Residency
Curatorial Scholar Awards
Community Orchard Commission
Guest Artist at Art City
Tower Bridge Artist in Residence
Barbican Concert Hall Wall Commission
Belluard Festival
Hotel Elephant Small Commissioning Program
Art on the Tideway Commission
Camac–Ténot Fondation Bursary
Passen-gers Exhibition
Royal British Society of Sculptors Public Art Award
Artist Development Programme at SPACE
EVA International Ireland’s Biennial
Berlin Feminist Film Week
Art, Cities & Landscape Festival
Exe Riverside Valley Park Commissions
Atopic Art Micro-Residency
Artistic Strategies in Psychiatry Residency
Philosophy and Visual Art Residency
Trans Atlantic Artists’ Residency Programme
Stanford University Arts Research Fellowships
Berwick Film & Media Arts Festival Residency
Baltic 39 Figure Four Exhibition
Woman’s Hour Craft Prize
V&A Ceramics Residency
WMA Commission
Vilém Flusser Residency
Roman J. Witt Residency
Priors Hall Park Public Art Commission
The Baron Ash Project Commission
Hors Pistes Residency
The Spur Artists in Residence
Jerwood Visual Arts Artist Bursaries
Rising Stars at New Ashgate Gallery
Tabakalera Residencies
Art on the Tideway Commission
Interfaces Monthly
Bar Tur Photobook Award
idle women artist in residence
Ashurst Emerging Artist Prize
Künstlerhaus Lauenburg Residential Fellowships
Warwick Stafford Research Fellowship
NXT Residency
Peninsula Arts Film Commission
2 Degrees Festival
IMéRA: Laboratory for Cross-disciplinary Exploration Residencies
WWF Cymru Earth Hour Public Art Project
Site-Responsive Art Residency & Biennale
Lynn Painter-Stainers Prize
Open Online Seven – “Can You Hear Me?”
Cove Park Residencies
Loewe Craft Prize
Helsinki International Curatorial Programme
Artist’s Book Residency Grant
Fashion Space Gallery Residency
Beyond the Frame and Tactical Interventions
Open School East Associate Artists
Inhabitant Zero Residency
Camargo Foundation Residency
Creative Fellow – The Workhouse, Southwell
Rebecca Vassie Memorial Award
Fondation des Treilles Photography Prize
Hooked Exhibition
Experimenta Speed Pitch
Lighthouse Works Fellowship
Apexart Unsolicited Exhibition Program
Artist Film Festival
Harpo Foundation Emerging Artist Residency Fellowship
Exhibition at Half Moon Theatre
HeARTland Commissions
‘A Romance with Revolution’ Residency
Unlimited Commissions
Young Contemporary Talent Purchase Prize
In Context 4 – In Our Time Commissions
Creative Wales – British School at Rome Fellowship
Project Pressure Nepal Expedition
Muir Trust Residency
The White House Residency
MMCA Residency Changdong
Akademie Schloss Solitude Fellowships
OverFlow Conference
Extra City
Time and Space Residencies
Shape Open
Into the Wild
Philip Jones Griffiths Award
Horniman Museum Commission
Dover Prize Fund
English Folk Dance & Song Society Exhibitions
KulturKontakt Artists in Residence
Saari Residence
ARC Getaways
The Sustainable Arts Foundation Grants
Villa Ruffieux Residency
Jerwood/Photoworks Awards
FLAMIN Productions Commissions
Gasworks Participation Residency
Standpoint Futures Residencies
Participatory Artist In Residence
South London Gallery Graduate Residency
Wimbledon College of Arts – Artist in Residence
Wschodnia Residency
Tate Exchange Residency
Modern Body Festival
FORMAT Photography Festival
COAL Prize
Curator-in-Residence Program
Exhibition Commission
Hayward Touring Curatorial Open
Stuart Hall Library Artist’s Residency
Firecracker Photographic Grant
Public Art Commission, Merthyr College
Socially Engaged Commission at Tate Liverpool
Media Arts Residency
Archisle Photographer in Residence
Bauhaus Residency
Princeton University Fellowships
Jerwood Makers Open
Window Project
The Drawing Room Residency
International Awards for Art Criticism
Magdalen Road Studios Residency
Künstlerdorf Schöppingen Residency
Lubomirov / Angus-Hughes Summer Salon
Live Art Development Agency Residencies
AA2A Project
National Open Art
Flux: Beach Huts for Southend Pier
Bridget Riley Fellowship
Newcastle University Artist in Residence
Brighton Photo Fringe Open16
Sound::Gender::Feminism::Activism
Hidden Civil War Commission
Research Residency
Griffin Art Prize
OpenART
Penrhyn Castle Residency
Workweek Prize
Ibero-American Arts Award
Tapestry Commission
European Light Expression Network Residencies
SWAP: UK/Ukraine Artist Residence Programme
Aesthetica Art Prize
MK City Club Digital Commission
Curatorial Research Residencies
William Morris Gallery Residency
Adam Reynolds Memorial Bursary
London Creative Network
The Horniman Residency
Kirkstall Public Art Commission
Uncertain States
Tenderflix
Imagine 2020 Summer Lab – Art, Ecology and Possible Futures
Koumaria Residency
Searching for the centre
Off The Shelf Commissions
Artist in Residence – Headway East London
Visiting Guest Artist Fellowship
IdeasCity Athens
Craft Emergency
Northern Artist Film Programme
European Network for Contemporary Audiovisual Creation Residencies
GRAIN and IED Madrid Residency
Blueproject Foundation Residency
Airspace Graduate Residency
EUPORIAS | Met Office | Kaleider Commission
art&science Residency
MAP Creative Residency – Transcultures
WimmelResearch-Fellowship
Environmental Bursary
Evolve Artist in Residence
Thalie Art Foundation Residency
Faena Prize
East Tower Residency
Guest Projects
Chimera Art Award
Videonale
INSIDE: Disabled Artist Commission
Stanley Picker Fellowships
Artist Film Commissions at EEFF
Berwick Visual Arts Residency
International Print Biennale Awards
Künstlerhaus Schloss Balmoral Fellowships
Gasworks International Fellowships
Bournemouth Arts by the Sea Commissions
Frieze Writer’s Prize
Cockpit Arts Artist-Maker Residency
The Artists Fund
Book Artist In Residence
Curatorial Open Call
Punto y Raya Festival
Unseen Dummy Award
Digital Solitude
Jerwood Drawing Prize
Artraker Biennial Award
Berwick Film & Media Arts Festival
V&A Ceramics Residency
Remote Intimacy Commission
You Must Locate A Fantasy
Artists’ International Development Fund
Frankfurt LAB Residencies
Fondazione per l’Arte Fellowship
Photoworks Annual
Chronotopia: Centralen and Olskroken
East Street Arts 130 Vicar Lane Commission
Elysiumgallery Residency
KARST Curatorial
Random String Fellowship
Wild Card Award
Kuldīga Photography Residency
As Above So Below – Artists’ Residencies
Beyond Words
Interactivos?’16 Residencies
Braunschweig Projects Scholarships
Venice-Cardiff Residency
studio das weisse haus Curator Residency
SPILL National Platform
COLLIDE International Award
Transfer North Residencies
Watershed Artist in Residence
bb15 Residency
neo: printprize
Finnish Museum of Photography’s Project Space
1215 Today Film Commission
Luxembourg Art Prize
Visions in the Nunnery
Lumen Prize
Hotel Maria Kapel Residency
Derwent Art Prize
Light Work Artist-in-Residence Program
Art360
MAC International
Jackson’s Open Art Prize
Hatton Gallery Offsite Commission
Diane Dammeyer Fellowship in Photographic Arts and Social Issues
Core Residency Program
SOLO Award 2016
Contemporary British Painting Prize
Griffin Gallery Project-Based Residencies
Kim Fielding Award
Call for Exhibition Proposals
Woon Foundation Painting and Sculpture Art Prize
KALEID 2016 Call for Submissions
Documentary Photography and Film Grants
Royal Photographic Society’s International Print Competition
Het Nieuwe Instituut Fellowship
Jerwood Visual Arts Writer in Residence
For A Rainy Day: Publishing As A Site Of Collectivization
Video Mapping and Facade Projection Competition
DIY 13
Pete Lloyd Lewis Studio Award
Institute for Advanced Study at Central European University Artist in Residence Fellowships
Foam Talent Call
The Marmite Prize for Painting
Art Language Location
Green Festival Commission
Art in the Dockyard
Photobook Dummy Award Kassel
Artist Residencies La Box
PhD Scholarship on Artist Live / Work Scheme
Sculpture Symposium
Speke Hall Makers Residency
Residency at Triangle Arts Association, New York
Visual Art and Climate Change Commission
Amsterdam Light Festival Call for Concepts
Lewisham Arthouse Graduate Studio Award
Jerwood/FVU Awards
Munson-Williams-Proctor Arts Institute Residency
British Council Residency Programme at FLORA
LIVE WORKS Performance Act Award
Nene Park Artist Commissions
Call for Exhibition Proposals 2017
Henry Moore Institute Visiting Research Fellowships
Fundación Botín Visual Arts Grants
Pollock-Krasner Foundation
STEP Beyond Travel grants
The Elephant Trust Grants

Projects

How to Articles

Rosemary Cronin: Postgraduate experiences
7 Steps to Business Start-up
Internships good practice case study: AWP Internships 2012
Studios: a luxury or a necessity?
VAT
Selecting opportunities
partner 21741
partner 21740
partner 21706
partner 21704
partner 21697
partner 21688
Anonymous: Where have all the massive cocks gone?
Anonymous: Dis-United Kingdom
Anonymous: It’s popular, but what’s the value?
Kirsty Ogg and Marijke Steedman: the gallery problem, or, what artists can do when their work doesn’t fit in galleries
Soraya Rodriguez and Doug Fishbone: the education problem, or, how art schools could encourage more diverse ways to be an artist
Ellie Rees and Lucy Newman Cleeve: the family problem, or, how the art world should work for artists with children
Mark Gubb and Angela Kennedy: the money problem, or, how artists could be paid more than £10,000 a year
Duncan Smith and Kirsten Dunne: the city problem, or, how artists can benefit from urban regeneration
John Kieffer and Gilane Tawadros: the funding problem, or, a better way to distribute public funding
Laura Fowle: overcoming the fear of messing up
Georgia Gendall: on failing
Sarah Roberts: a year post graduation
Melanie Manchot: on social engagement and ethics
Matt Rowe: on living outside of London
Georgia Gendall: what do artists do all day?
Alex Burgess: on faking it
Sarah Roberts: on developing practice in the face of deadlines
Laura Fowle: on artist opportunities
FLAG collective: on practice and pedagogy
Hunt & Darton: on earning a living
Jemima Brown on being an artist and a parent
Georgia Gendall: on identity and resilience after art college
Sarah Roberts: on the challenges of installation art
Alex Burgess: on managing time
Laura Fowle: on the balancing act of self promotion
How to negotiate
Furtherfield: new media galleries
Gasworks: public galleries and studios
Lisa Castagner: artist meets psychoanalyst to discuss residencies
John Hansard Gallery: university galleries
Rebecca Moss: applications and more
Castlefield Gallery: artist-focused galleries
MOTInternational: commercial galleries
Anonymous: War, War and more
Anonymous: Pay them the money
Anonymous: The Funding Party
Anonymous: Ignore this at your peril
Anonymous: A chasm of carelessness
Anonymous: Before we start to engage, maybe we should firstly include
Anonymous: Shut up and sell out
Ben Eastop and Mark Nader: setting up artist studios
Lucienne Cole: BerlinBerlin
Brixi: selling in independent shops
Alexandra Parry: on working with others
Joe Twinn: make art everything
Brigitte Mierau: the first year after college
Liam Magee: working without deadlines
Isabelle Gressel: developing an artist’s statement
Rebecca Moss: conversation and dialogue in practice
Michael McManus: private commissions
Negotiation for Interns
Networking for interns
Setting goals for your internship
Learning from your internship
Steve Messam: on installation
Tom Sowden: on book arts
Paul Hurley: on performance
Social networks and blogs
Stuart Croft: on artists moving image
Henk Gieskens, Conall McAteer, Isabelle Gressel, Michael McManus: one year out of college
What is an internship?
Supervising interns
Structuring a quality internship
Why take on an intern?
Internship glossary
Internships and the law
Good practice for interns
Can I be an intern?
Choosing an internship
Benefits for interns
Gilly Pawson: priest and MFA
Niharika Hariharan: Senior Design Consultant, Seren and arts graduate
Richard Kirk: CEO, PolyPhotonix and fine art graduate
Caroline Wilkinson: landscape gardener and former fine artist
Andrew Lockhart: psychotherapist and fine art graduate
Anthony Bennett: development fundraiser and arts graduate
WW Gallery: approaching galleries and finding opportunities
Venice biennale: top tips (2013)
Rachel Dobbs and Hannah Jones: on performance collaborations
Pensions for self-employed people
Studios, pensions and tax
Working rhythm after college
Working as an artist’s assistant
First steps for new graduates: studios, promotion, networks and exhibitions
Miranda Gavin and Wendy Pye: on working together
Conall McAteer: ways of working as an artist
Henk Gieskens: Money = Time
Belgin Bozsahin: on art fairs
Ikon, Birmingham: how public galleries find artists
Vane, Newcastle: how regional galleries find artists
CHARLIE SMITH london: how commercial galleries find artists
Documentation of work
Applications to curators
Approaching gallery curators
Lucy Day: approaching galleries
Researching galleries
Benefits for self-employed people
Self-organised exhibitions
Ami Clarke: on artist run spaces
Eliza Gluckman: how curators work
Jason E Bowman: how curators work
Paula Orell: how curators work
Worker, volunteer or intern?
Paul Greenleaf: on editioned artist books
Billy Lloyd: 4 years of practice
Accounts
Shona Marsh: 7 years of practice
Katharine Morling: 9 years of practice
Own Art: How and why do collectors collect?
Julie Myers: on residencies
Faisal Abdu’allah: on money
Alistair Gentry: on collaboration
Sarah Staton: voluntary work
Susan Royce: avoiding the hobbyist approach
Sarah Preece: tax returns for artists
Rhian Solomon: on residencies
Fiona MacDonald: how curators work
Louise Trodden: on public art
Sarah Warsop: BLA Jewellery Residency at the British Library
Hiring people
Tax losses
Business expenses and working from home
Residency budgets
Types of residency
Basics of residencies
Binita Walia: practice in a recession
Uddin & Elsey: collaboration, risk and working online
Alex Julyan: how curators work
Dallas Seitz: how curators work
Cathy Lomax and Gary ODwyer: artist-curators
Jason Singh: on sound art
Editioning
James Bulley: on sound art
Jennet Thomas: professionalism and the future
David Murphy: gathering momentum after art school
Ursula Kelly: working full time and being an artist
Nick Kaplony: make the most out of exhibitions
Jaye Ho: the importance of networks
Gordon Cheung: self promotion and commercial galleries
Helen Carnac: sustain and develop a career
Maria Amidu: non-commercial practice and working internationally
Helen Johannessen: working with designers and manufacturers
Ruth Tomlinson: making it yourself
Jo Heckett: your online showcase
Angie Boothroyd: having a good trade show
Your intellectual property rights
When to apply for grants
Exploit your assets
Why plan your career?
Who provides grant funding?
What is a grant?
Fundraising basics
What kind of money do you need?
Bartering and exchange
Spend less
Gallery commission
Affordable housing
What is self-employment?
Invitations
Artist statement
Briefs and contracts for public art commissions
Loans and finance
Artist resale rights
Tax returns and Self Assessment
Commercial gallery relationships
Setting up a business
Documentation and images
Sponsorship
Fees for new graduates
Corporate art collections
Importance of contracts in commissions
How curators work with artists
Biography
Online fee calculators
National Insurance
Types of commission
Meeting curators
Make the most of exhibitions
Public art commissions: expressions of interest
Starting a business on a low income
Rosalind Davis: promotion for artists
Registering as self employed
Calculating a fee
One-off benefits
Business advice and planning
Experience and fees
Artist-led spaces
Pricing your work
Websites
Artist responsibilities toward galleries
Setting up an organisation
Working relationships in public art commissions
Project budgets
Peer mentoring
Insurance
Accessing empty spaces
Artist CV
Project fees from daily rates
Legal articles: commissioning
Gallery education
Tax tips for artists
Volunteering
Press releases
After a public art commission
Invoicing
Curating and programming your own artist-led space
Melanie Stidolph: networking for artists
Waiving your fee
Making the most of your degree show
Mailing list
Laura Eldret: approaches to promotion
Crowdfunding
Rise Art: selling online
Business cards
Things to do when you graduate

Artlaw articles

Wash-Out
A Landmark Case?
The ICOM Code
Secondary Sales Risks
Continuing Silence
Artists’ Estate Management
Dealing Differently
The Artist’s Estate
40 Years On
What should I know about copyright as a freelance artist/educator who facilitates workshops?
The Code of Art
Art Industry Self-Regulation
Should I Stay or Should I Go?
Fair Use
Artists’ right to unemployment benefit
Further information
Dire Straits: in the gallery
Sculpture Competitions
Public Art and the Law
Doing a Deal: Part 1
Ballad of a Widening Wedge
Estates
Orphan Works 2
Artist’s Resale Right: Ten Years After
What does creating an Inventory or Catalogue Raisonné involve?
When Collaborators Turn
Moral Lights
If I sell artwork through a gallery based abroad, can they deduct ‘withholding tax’ on my earnings?
Guides to Interpretation
Global Thinking
Film and Video
Conservation
Christoph Büchel v Mass MoCA
Banking on Trust
Do you any up to date information regarding VAT treatment on commission owed to individual non-VAT registered artists from galleries that may or may not be VAT registered themselves?
What should I consider when deciding whether or not to sign a written agreement with a gallery?
Can I sell an artwork that uses letters from an existing font, e.g. from a word processing program?
Can I illustrate a mass-produced object such as a toy in an artwork without infringing copyright laws?
Permission to Sell
Merchandising Rights Time Bomb
Regulating the Art Industry
Enforcement
Small Claims
Changes to Permitted Uses
Is it discrimination under UK law to advertise an opportunity for artists under a certain age?
Taking Care of Business
Post-Internet Art
My gallery had agreed to return my work months ago but now they seem to have lost it.
Suing Art Experts
London Centre for Book Arts: a case study
Are you licensing your work for free if you upload it on social media sites?
Who is liable for insurance for artwork kept on consignment?
Death of an Artist
Material Ephemerality
Fair Use?
If my gallery is based abroad who will decide in case of a dispute?
Is there a definite ruling on what constitutes an edition?
Why are Artists Poor?
Consignment: Trust
Renting Art: Borrowers and Lenders Beware
Creative Collaborators: Authors or Assistants?
Who Owns Street Art
How can I get my gallery to disclose the names of my buyers?
Moral Rights: A Suitable Case for Treatment?
Do I have to pay tax on the award or grant I have been given?
Endangered Public Sculptures
Claiming money owed to you through the Courts
Commissioning Contemporary Art
Catch-22 Inheritance Tax
Gallery of Lost Art
Authenticity Certificates Value
If I use a pseudonym can I sign documents and contracts with a gallery under my legal name?
Authentication Revisited
Authenticity Certificates
Artwork Liabilities
Change of Art
Will I be able to exhibit and sell photos of my performance if I haven’t taken the pictures myself?
Editions or Series: Picking Up The Pieces
What is Sculpture?
Is my work protected by copyright or design rights?
Sotheby’s and Christie’s
The Bacon Estate (1)
Performance Art and The Law
Deaccessioning Public Collections
‘She’s nobody’s child; the law can’t touch her at all’
National Studios Forum
The Length of Copyright
Tracing Work
In what circumstances can I sublet or share my studio space?
VAT minus Zero – no limit
Management of Creativity
Dire Straits – outside the gallery
Old Photographs
Appropriation Art and Fair Uses
Can I sell my copyright?
New Labour Arts Policies
Public Exhibition Payments
Censorship
Life After Art School
Estates
Appropriation of Media
Questions of Attribution
Making Waives
Constitutions
The Boyle Family
Between Thought and an Expression
New UK Legislation Part 1
Dealing in Fakes
What issues should I be aware of if I wish to use photographs in collage / painting?
Copying by Universities
Claim it From DACS
How do I get my gallery / dealer to return unsold works?
Riding the D-Train (part 2)
Percentage for Art
Freedom of Expression: part 2
Heath and Safety
Public Images
Knockin’ on Hebborns Door
Paper Promises, part 2
VAT of confusion
Up Against the Wall: part 2
After Sales
What kind of access can I expect in a studio or property?
ArtlawTV: Susanna Heron on Site Specific Art
Breaking the Rules
New UK Copyright Provisions from 31 October 2003
Gallery Agreements
ArtlawTV: Simon Faithfull on Art and Ideas
Law Online: Artquest
Artlaw Services – A National Legal Service for the Arts
Attribution of Authorship: Warhol
Unincorporated Association
Shamrock Organisations
Is Your Copying Right?
Dear Henry…
Dear Images
Collaborative Works
Credit Where It’s Due?
Contracts as easy as ABC: A Users Guide
Mum’s the Word
If two or more artists collaborate on a work of art, which one of them will own the copyright?
What should I do if my dealer / gallery goes bust?
The Next Moves Forward, part 1
An Inspector Calls
Copyright: A Suitable Case for Reform
Joint Enterprise
Publication Right: The New Right
Contracts with Galleries
How can I protect live events and performance work under copyright law?
Shopping Lists
An Inspector May Call Again
Theft, Lies & Videotape
Nightmare of Planning Laws: Westminster City Council V Time Life
About the author
Gift Aid: an Arts Boon?
Art and Money
Disclaimers
What health and safety considerations are there?
The ACME of Artlaw
The State of Play
Privacy
Play with Fire
Artlaw History
Welfare in the State of Art
Cell Block
Power Plays: Chimes of Freedom
Partnership
Co-operative
Soul Trading
The Right to Destroy Artwork
Postmodern Artwork
Art & Copyright
Copyright and Moral rights: New legislation (part 1)
Wapping Blues
Who owns Elizabeth Frink?
New Administration: Reforms and Innovations
Commercial Dimensions
Artists Resale Right: 4th Year Report
Doing a Deal: Part 2
Artists Bearing Gifts: Revisited
About the articles
Conference Consequences
The Next Moves Forward, part 2
The Dali Wrangle
Droit de Suite (1996)
Copyright
What if there has been a creative partnership between two artists and one of them wishes to leave?
What materials might I not be allowed to work with in my studio?
Posthumous Artworks
Charitable incorporated organisation
Management Of Creativity 30 Years On
Fundamental Enquiries
Travellers Tales
Licensing
ArtlawTV
Money
Strategies for the Arts
Collective Bargaining
When I Paint my Masterpiece
Working as an artist: part II
Copyright and Moral rights: New legislation (introduction)
Selling is Easy
Conservation, Restoration and Replication of Modern Sculpture
What is copyright infringement?
The Tax Man Cometh
Community benefit society
Copyright and Moral rights: New legislation (part 3)
Second Year Review
What works are covered / protected by copyright?
Photographing Art Collections
If I hire a stand at an Art Fair to sell my own artwork, what can I do if the event is cancelled?
Riding the D-Train (part 1)
Dear landlord, please don’t put a price on my soul
Stamp of Approval
Collaborations
First Semester Report
What is the difference between a work/live and a live/work space?
Monumental Manoeuvres in the Dark
Recording Visiting Speakers
Private Commissions and the Law, part 1
Frequently asked questions
International Artlaw Research and Education Fund
Art Law Introduction
Self-Expression and the Law
Tomorrow is a Long Time
The Artists’ Campaign for Droit de Suite
The Values of Insurance
What legal issues surround the use of legal tender, i.e. notes and coins, in my artwork?
What legal issues should I be aware of if I want to include cartoons in my work?
Is there Life after Art School?
The Way Forward?
Global Art Business
Originality
Parliamentary Report: The Market for Art
The Artist’s Resale Right Regulations 2006
Commissioning an Artist
How can I prevent unauthorised use of images of my work that are published on the Internet?
Vexing Art Toll?
An American in Florence: restoring the moral balance
Nothing is Forever
International Foundation for Art Research: IFAR
Court Cases
Appropriation
Artists Resale Right
One of us must know something (Sooner or Later)
% for Art Legistaltion
Displaying Student Work
When selling work for reproduction, how can I protect my copyright?
Where can I find lists of studio providers?
Yes Minister, but is it legal?
Company
Doing a Deal: Part 3
What is a ‘break clause’?
Freedom of Expression: part 1
Who Owns Public Art Commissions?
Public Art Commissions: Part 1
Severance
F**K
Worldwide, and Droit Moral
Freedom of Information
What can I do to protect my work from being copied when I submit a prototype to a potential buyer?
Shelter from the storm
The Bacon Estate (2)
Advertising and marketing art: Copyright confusion
Private Commissions and the Law, part 2
Polaroid: The Gift That Doesn’t Keep Giving
What can I do if my work is used without my permission?
Drawing the Line
Tyson, Hirst and Hogbens Dunphy
Foreign Affairs
What should I include in a licensing agreement?
Rothko Revisited
Who cares about art after death?
Copyright Protection Abroad
Up Against the Wall: part 1
Copyright and Moral rights: New legislation (part 2)
Art Online
Can the organiser of an art show subsequently decide to remove a work from the show ?
Studios
Space Race: Part 2
Gormley on the Beach
Can I negotiate the lease / licence with my prospective landlord?
A Tax on Art Schools
Sellers, Buyers and Auctioneers Beware
Infinity goes up on Trial
DACS
Technology vs Copyright
Is it true is it OK to use short excerpts of music / film without infringing copyright?
What issues should I consider before hiring a space for a group show with other artists?
Holography
Resale Royalty
Commissions and the responsibilities they bring, part 2
Public Art Liabilities
When can I use copyright material without permission?
Information and Advice to the Visual Arts: Getting the Network Working
Dear Editors
Mapplethorpe
Postbag
US Copyright Protection for UK Artists
Copyright & Resale Right
Oh! My Precious
Percentage for Art: UK OK?
Copyright Law
Tate Da Vinci Code Pollock
What can I do if my work is damaged after submitting it to a third party, such as a dealer?
Supplementary Benefit
Taxation of Prizes and Grants
Space Race: Part 1
Ballad of a Thin Wedge
Private Investigations
Down in the Flood
What other costs might I be liable for when renting a studio?
Droit de Suite (2002)
Artists’ Selling Power
Artists’ right to unemployment benefit
Lofty Ideals
Alison Jackson’s Sven
Parliamentary Report: UK Artists’ Resale Right
Caveat Emptor
What do I need to know if I want to use a board game / company name or logo in my artwork?
The Momart Fire
Morals, Mores & Minors
Damage to Work
One of my works was damaged while on display in a gallery.
ArtlawTV: David Mabb on Art and Appropriation
A Developing Global Framework
Dragon’s Dance
Back to The Future
Dear Shane
The Rothko Wrangle
Working as an artist: part I
Mortality/Immortality
New UK Legislation Part 2
In Defence of the Image
First Year Report
Three Short and Unrelated Matters
What material (film, music, photography, literature etc) do I not need permission to use?
How much deposit would I expect to pay?
VAT revisited
Conservation Renovation & Restoration
Stealing Ideas
Follow up follow up follow up, ’till the fields ring again and again…
Agency Deals
Exhibition Agreements
‘God help the Minister who meddles with Art’
The Creative Act 2007
Virtual Collections: National Portrait Gallery versus Wikipedia
Commissions and the responsibilities they bring, part 1
Galleries and exhibitions
Beautiful Inside My Head Forever
Private Views: Right Problem, Wrong Law
New Legal Rights
What if I want to use an image of a celebrity in my work?
‘One for you, nineteen for me’
The Present Status of Artlaw
Sensation and All That
Charity
Second Anniversary Edition
Artists’ Residencies
Art after Death
Dear Worried Brown Eyes
Flavin’s Fittings
Of ha’pennies and cakes – servicing public arts development
Sittin’, thinkin’, sinkin’, drinkin’
Art and Architecture
Ignorantia Lex Non Fit Defensia
Moral Rights: Artists have got ’em
How do I get permission to use copyrighted material (film, photography, literature, music etc)?
Can the body commissioning an artwork subsequently terminate the agreement?
What should I be aware of when working with public or private commissioners?
ArtlawTV: Ben White and Eileen Simpson on A Cultural Commons
Copyright and Moral Rights: New Legislation (moral rights)
Online Sales
What counts as an affordable rent?
Bankrupt Galleries: A Cautionary Tale
Public Sculpture
Common Sources
©autionary Tales: Of Hoffman
Digital Archives
What if I want to include information about other people in my artwork?
Famous last words
Performance Art
Leibovitz Futures
Public Art Commissions: Part 2
Beware of Artists Bearing Gifts
Art for Architecture Legistlation
Art and the law on trial
Copyright Services
Orphan Works 1
Anticipating Future Uses of Work
Agents’ and Dealers’ Duties
Deceased Artists
What kinds of contract might I be expected to sign when taking on a property?
3D Artworks
What legal issues should I be aware of if I wish to use film clips in my work?
Community Interest Company
Editions or Series: Artists Be Clear
Paper Promises, part 1
Loaner Beware
Commissions
What should I do if a commission is rejected after it has been completed?
ArtlawTV: Rene Gimpel on Gallery Deals

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